Through these exhibitions, the Cinémathèque suisse highlights the richness of its collections and offers the general public an in-depth, accessible look at key aspects of Switzerland's cinematic heritage.

The interface and navigation are centered around the three-dimensional grid, which is transformed to enhance its content. It suggests a cinema room, welcoming visitors into the world of the cinémathèque. The grid's animations are designed to be subtle and controlled. 

The squares are arranged to create an overview of the exhibition's themes. They then expand to give an overview of each room. The interface then symbolically suggests entering the squares as you would an exhibition room.

The contents of a room can then be consulted by scrolling or clicking. The menu and interface become more discreet to make way for the resources on offer, which are varied, generous and comprehensive. Images, documents and videos can be viewed full-page or zoomed, and all associated metadata is accessible

A transversal navigation system makes it easy to change rooms. Exhibition archives can also be consulted.

The name Home pays homage to Ursula Meier's film of the same name (Home, 2008).

The platform was developed in collaboration with graphic designer Alice Vodoz and the Cinémathèque team behind the project (Seraina Winzeler, Achilleas Papakonstantis, Emmanuel Signer and Alix Hagen).

As part of this collaboration, INT also developed Repérages, an online review exploring the history of Swiss cinema through thematic analyses and archives for the Cinémathèque Suisse.